The majority of us enjoy music to some degree or another, pop, classical, rock R&B but have you ever wondered what HIV would sound like?
There is a range of sound and music, which lies beyond the range of human hearing. “Sounds of HIV” is a musical translation of the genetic code of HIV, the human immunodeficiency virus. In this album, segments of the virus are assigned musical pitches that correspond to the segment’s scientific properties. In this way, the sounds reflect an accurate, musical nature of the virus. When listening from beginning to end, the listener hears the entire genome of HIV.”
You may think that expressing nucleotides of the genome of a virus as pitches of the melodic scale as a promotional stunt, why would you draw a connection between adenosine and A, between cytosine and C and so on?
University of Georgia graduate student Alexandra Pajak’s instrumental sequence ensemble which draws inspiration from the physical properties of HIV itself!
“Sounds of HIV,” is a 17-track, 52-minute long musical adaptation of HIV’s genetic code. Pajak assigned pitches to the four basic nucleotides in DNA — A for Adenine, C for Cytosine, G for Guanine and D for Thymine — but the score contains much more than these for notes
Applying scientific rigour to music is nothing new and has been done in the past with math so why not with biochemistry? Alexandra Pajak, native of Athens, Georgia studied both composition and sciences and her work reveals a fascination with both subjects. Then there is a general sense of unease, creeping in. This undeniably beautiful music expresses HIV, a virus responsible for the destruction of much beauty and art. On one hand, it’s tempting to assume that nature’s creations achieve a high level of symmetry and beauty and a virus should not be exempt from that principle.
On the other hand, what terrible beauty is there to be found should we glimpse inside the genome of the plague, syphilis, smallpox or even flu? These ruminations tend to accompany listening to this oddly-concordant composition, performed with aplomb by the Sequence Ensemble.
In a way, the strange and disturbing recording reveals itself beautiful yet disturbing as the sounds reflect the true nature of the virus. When listening from beginning to end, the listener hears the entire genome of HIV.”